Described as ‘the unfairly underrated dramatic fragment’, The Guardian explores the short play as the perfect dramatic arch for programs accommodating short works, such as the Hotbed Theatre Festival in Cambridge. Continue reading “Short Plays: Dramatic Perfection?”
Scene selection from J.M. Synge’s Riders to the Sea Continue reading “Cathleen & Nora – Riders to the Sea”
Kurt Vonnegut, a prolific American writer of countless short stories and five plays, offers his best advice on writing short fiction – a genre similar in both style and form to the one act play.
Listen to Vonnegut in the first of July 2017’s Complimentary Readings, listing his best eight tips on writing short fiction. (Advice that could be helpful for that Fringe festival debut!)
Next Event: Monday July 3 at the Neon Parlour in Thornbury. Join us as we read through 3 one-act plays including Chekhov’s The Bear, J.M. Synge’s Riders to the Sea, and F. Scott Fitzgerald’s Mr. Icky. See you in July!
Selected Text: Three One-Act Plays Continue reading “The Monthly Players – July 2017”
Examining Tennessee Williams’ The Glass Menagerie and writing a memory play. Continue reading “The Monthly Write Up – June 2017”
Monologue selection from Tennessee Williams’ The Glass Menagerie. Continue reading “Tom Wingfield – The Glass Menagerie”
After the massive success of The Glass Menagerie, Tennessee Williams, formerly known as ‘Tom’, reflected on his newfound celebrity as a blossoming American playwright in The Catastrophe of Success.
See Williams’ essay, first published by The New Yorker in 1947, for a brief understanding of his dis-ease with fame and for June 2017’s second Complimentary Reading.
Eamon Flack, director of Belvoir St Theatre and The Malthouse’s 2014 and 2016 respective productions of Tennessee Williams’ The Glass Menagerie, comments on his transition from a long-standing apprenticeship to taking on the role of Belvoir’s most recent Artistic Director. Continue reading “‘Belvoir St Theatre’s Eamon Flack’”